#Joan diamonds and rust full#
#Joan diamonds and rust download#

My poetry was lousy you said My poetry was lousy you said Você disse que minha poesia era ruim. As I remember your eyes As I remember your eyes Se bem me lembro, seus olhos Were bluer than Robin's eggs Were bluer than Robin's eggs Eram mais azuis do que ovos de Robin. And here I sit And here I sit E aqui me vejo sentada, Hand on the telephone Hand on the telephone Telefone na mão, Hearing a voice I'd known Hearing a voice I'd known Escutando uma voz que me cativou A couple of light years ago A couple of light years ago Um par de anos luz atrás Heading straight for a fall Heading straight for a fall E me jogou direto no abismo.

#Joan diamonds and rust full#

But that's not unusual But that's not unusual Mas não é de estranhar It's just that the moon is full It's just that the moon is full É só que a lua está cheia And you happened to call And you happened to call E você resolveu me ligar.

The standout track on an otherwise forgettable album, though, is surely the title track, 'Gulf Winds,' a ten-and-a-half-minute solo epic in the mold of her early work, just Joan and her acoustic guitar, brilliantly picked and sung, ironically demonstrating that, although Baez still had the talent, she couldn't capitalize on the success of Diamonds and Rust and the times were passing her by.Well I'll be damned Well I'll be damned Deus me acuda! Here comes your ghost again Here comes your ghost again Lá vem seu fantasma de novo. The more stinging, faster-paced 'O Brother!' is a more successful stab at a commercial sound, and Baez sings it with a bitter venom (you can't help but speculate that the song refers to Dylan himself). 'Sweeter for Me' sports a nice arppegiated piano by Baez and faintly harks to the melancholy brilliance of Diamonds & Rust, but, lyrically, most of the material is overwritten. Produced by David Kershenbaum, the album tries its best to bolster Baez with a timely '70s studio sound, but for the most part it misses the mark. But Gulf Winds, her last A&M album, was a significant drop off and marked the beginning of what would be a steep commercial decline. It was also around this time that she toured with Bob Dylan's Rolling Thunder Revue, and according to Baez's memoirs, she wrote the songs for Gulf Winds during that tour. Joan Baez's landmark Diamonds & Rust found her at the peak of her singer/songwriter skills, seemingly capable of transitioning out of '60s protest mode into a more contemporary and commercially viable position. See More Your browser does not support the audio element. The standout track on an otherwise forgettable album, though, is surely the title track, 'Gulf Winds,' a ten-and-a-half-minute solo epic in the mold of her early work, just Joan and her acoustic guitar, brilliantly picked and sung, ironically demonstrating that, although Baez still had the talent, she couldn't capitalize on the success of Diamonds and Rust and the times were passing her by. © Jim Esch /TiVo More info

#Joan diamonds and rust download#

Purchase and download this album in a wide variety of formats depending on your needs.